Poster design, illustration2008–present Award winning poster designs for clients ranging from universities and museums to rock bands and non-for-profit organizations.
Concept
A selection of posters designed for a diverse range of clients, unified by a belief in the enduring relevance of print. Despite ongoing predictions that printed materials would fade in the digital era, the political poster—and the poster as a communicative form more broadly—remains vital. Historically and today, posters function as instruments of public address: disseminating ideas, shaping opinion, and mobilizing collective action across political, promotional, and educational contexts. As a medium for social change, the poster records our shared struggles—for justice, for peace, for environmental stewardship, and for liberation—persisting as a powerful visual tool in the public sphere.
Created for the Graphis International Designers for Peace poster collection, this work is a meditation on war's brutal inversion of reality. Inspired by Ukrainian philosopher Volodymyr Yermolenko, who at the time of this submission remains fighting in Kyiv, who writes: "A window is not a window. It's a danger. If your surroundings are shelled, glass can wound or kill you...Light is not light. Better switch it off after the sunset to avoid being turned into a target..." In this work, the window's shadow here doubles as both a sniper's crosshairs and nuclear blast shadow (a shadow scorched into materials by the blinding light of an atomic bomb).